Adorin’ Van Doren

Wayne Michael DeHart    (June, 2021)

Two heads are better than one, it is often said. But over the years, I have noticed that it’s usually the second head on the scene who sings that tune. And more often than not, that tune is an overly-loud, off-key, in-your-face, rendition of “My Way.” Which reminds me of . . .

the night Mamie Van Doren, leaning forward on bended knee, sang that very song on what was reputedly her 40th birthday, her face hovering just 10 inches above mine, looking straight into my eyes. Then, as she crooned the final note, she suddenly swerved her head sharply to her left and kissed the guy who was right next to me smack dab on the lips, to a rowdy ovation from the tanked-up troops in the small club. Now, a cynic might say he got the kiss because Ms. Van Doren had determined, from 10 inches away, that I had been battered by the notorious Ugly Stick and so veered abruptly away and planted one on the snockered buck sergeant who himself was no Bo Belinsky, if you know what I mean. Regardless of the ignominy I suffered being suddenly shut out like that, she left quite an impression on me (had she gotten any closer, that impression would have been two big indentations on my forehead!), and so when I got back home and bought my first car, a yellow Mustang, I got a NH vanity plate that read – what else? – “MYWAY”.

To come full circle, that night just proved that two heads were NOT better than one for me, because had that guy’s head not been damn near ear-to-ear with mine while we both admired and practically inhaled the grandeur of the Twin Peaks, I would have been the victor and enjoyed the spoils. That would  lend credence to my point that the second head in is part of the problem, and not the solution, though I expect that kiss thief would beg to differ. These many years later, I remain certain there have been nights where a distraught Mamie couldn’t sleep and walked the floor back home in California,  sadly regretting that on a night long ago and far away, she chose to kiss that frog, rather than this frog. She recently turned 92, and when she plopped down to a piece of birthday cake, maybe, just maybe, she remembered that fleeting interaction more than 50 years earlier in a distant land, when she bit enticingly into a 40-candle cake in the midst of a boisterous bevy of admiring men. Perhaps she hummed a few notes of “My Way,” and wondered if I am still out there, somewhere, over the rainbow. And in my dreams, indeed I AM somewhere in a distant land – in Africa, with a different Toto, blessing the rains on the Serengeti, clicking my heels, and repeating to myself, “there’s no place like 10 inches from Mamie Van Doren’s . . . lips.” Then I wake up, shake it off, savor the sweetness of an inviting piece of airy angel cake, a tribute of sorts to the heavenly Ms. VanD,  and then go about my day, my way.

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Writer’s Notes:

(1) From what I have been able to determine in the years that followed, Ms. Van Doren apparently celebrated her birthday milestone at most of the stops she made on her three-month, sickness-curtailed second tour in Vietnam. I now know that her 40th birthday was actually February 6th of that year, which would seem to have preceded the very beginning of her tour, which research indicates ended in late May or early June. The experience described above took place on a night in late April, so I suspect she had regularly crooned “My Way” as a routine part of her in-country performances before that magical moment when she looked through my eyes into my very soul. (I tend to think she wanted the guys at each stop to know she looked THAT good at age 40 living her life her way and enjoyed the erotic imagery of blowing out the candles on the makeshift cakes that were presented to her onstage.)

And finally, I suspect there were more than a few of us who came under her spell from 10 inches away before she returned home after falling ill. But on the night of this encounter, we two enamored frogs both felt like princes in our respective ways. Here’s hoping my kiss-winning compatriot has not yet “croaked” and has, like me, been forever grateful for that light in the forest, that rainbow in the dark, that escape to remember.

(2) The Bo Belinsky reference is to Ms. Van Doren’s flamboyant fiance’ from the early 60’s, as featured with Mamie in one of the photos below. The late Mr. Belinsky, at that time a pitcher for the Los Angeles Angels, gained instant notoriety for a number of both on-the-field and off-the-field reasons, some good, some bad. The guy was scandalously charming and bigger than life, and was said to have Hollywood starlets for breakfast. No frog, that fellow.

(3) In my newly-assigned role as a DaNang-based classified courier, who always traveled alone in-country, I found myself bunked down at a MACV transient dive, near a barebones Saigon EM club, awaiting my itinerary for some up-country assignments. My one and only visit to that humble establishment followed a fortunate stumble upon its setting. I walked past the place in the early afternoon and saw a handwritten poster hyping Mamie Van Doren, who would be performing there that very night, about six hours later. Couldn’t believe it, coming out of left field like that. (Bo would have liked that baseball reference, I think.) I went in, and noticed there were only a half-dozen guys in the place. There was a slightly elevated wooden stage, some bar stools, and quite a few square tables, most with four chairs. A few of the tables were really close to the stage and were vacant. Since I was just killing time anyway, I decided to park my butt in the closest chair to the stage and wait it out. I mean, geez, this woman had been, along with Monroe and Mansfield, one of the celebrated “3M’s” – three renowned Hollywood blonde bombshells of the ’50’s and ’60’s. Six hours was nothing.

I got a Coke from the bar and plunked myself back down. Thought of home. Thought of the one that got away. Thought of Mamie Van Doren’s pair of golden globes. (The kind she kept front and center every day, not the film awards kind, though she was a presenter in 1954 and handed one to Foreign Press Association of Hollywood President Jose Haas. Handed him a Golden Globe, that is. Write that down. Might be a Jeopardy question someday.) I nursed that Coke for an hour or so. Still hardly anyone there, so I went back to the bar, risking my seat, to get another.

At some point, guys started to come in, and a surly NCO came over and told me if I wanted to keep that seat, I would have to order some food, or move to the bar. So I slowly sipped more Cokes and ate snacks and fries for the next four hours, until the place was full and the show began. Small-talked with the other three guys who landed at my table. They immediately began to swill down the beers and become boisterous, drawing glares from the guys running the place. (In that smoke-filled arena, an overt air of bravado and swagger overrode the mindless chatter that rolled from the tongues of these restless rogues and renegades. I smelled a lot of bullshit in that very same air.)

I found myself in the awkward position of trying to disassociate myself from them, lest they be thrown out before the show even started, and me along with them, via perceived guilt by association. I couldn’t distance myself physically from them because I wasn’t about to give up that damn seat, so I had to play it smart. The tables were all diagonal to the stage, thus two of the chairs could be strategically slid, from adjacent sides, to that point where a corner of the table abutted the stage. My slide into one of the two prime positions was a fait accompli even before the three stooges parked their noisy butts down. They survived the potential purge and the show started with all four of us still manning our positions front and center at that table. Eventually, and amazingly, the dazzling dame parked herself directly in front of my stage-touching chair after she blew out the birthday candles and announced the Anka/Sinatra song about folks always doing things their way.

She started singing on both feet, then dropped down to one non-knobby knee about halfway through the song. Then down she came onto the second knee, before gradually leaning in closer, to the aforementioned 10 inches from this New Hampshire guy’s face. There was cleavage aplenty spilling out my way (pun intended) and I think I had one eye on her eyes, and the other on the prize. She was so close, I was grasping for breast, er, I mean, gasping for breath. I was riding high and fast, approaching Boner City at a heart-racing pace. Just as she completed the last note of the song, she leaned in even closer to me, placed her right hand on my shoulder to steady herself (here it comes!), and then suddenly slid her head smoothly to her left, taking those lingering lips away, and planting them on the mouthy (pun intended again) invader from California (and there it goes!) He had managed to maneuver his head uncomfortably close to my own sometime during the song, into her peripheral vision, and thus reaped the rewards from the combination of her surprising swivel and his self-serving, sinister act of invasion of another man’s hard-earned, staked-out head space. The scoundrel stood and looked around, took a bow, then smirked at me as he plopped back down onto his seat.

“Smug bastard,” I thought. Six hours I had invested in that spot, hoping for some kind of souvenir moment, and all I got was a great view of the parting of the C’s (okay, D’s), the good vibe from her right hand gripping my semi-muscular shoulder (truth be told, it was a great right hand, many say the best right hand) and this sad story to bring home. But, as she seductively strutted her own butt back to the center of the stage after lighting him up, I quickly realized just how fortunate I was to have come that close to striking gold. I tried to joke good-naturedly with the A-hole, telling him that it must have been because I was too short for her pouty-mouth (not to be confused with potty-mouth) to reach mine. He stood about 6’2″-ish, making his equally fugly face more accessible to her at that moment in time. Simple. Logical. Makes sense, right? Then I added that I was thankful that she had been so concerned about me that she didn’t want to risk smothering me in her moon pies. I explained to him that she must have felt herself falling forward, and was actually just looking out for my safety and well-being, as well as her own, by balancing herself on me while making that sudden pivot to her left, where he and his beer mug just happened to be loitering. I said, “Imagine looking like that and being considerate as well.” His eyes glazed over. I think I lost him at “moon pies” because California and all. He stumbled away with his buddies.

Missed kiss aside, Mamie Van Doren, ladies and gentlemen, what a peach! What a pair! The lady of the night made my day – and did it her way.

#

P.S. Re: the photo at the top: At the moment she made that turn to her left, I felt like that punching bag she manhandled, my ego beaten down and at risk of being deflated. If only I were taller . . .
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Mamie is the one in white shorts.

Good things come in threes!

Mamie and her “Bo”

This is the way SHE thinks she was looking at me.

This is the way I think she was looking at me.

Of course, right?

Three Times Sadness

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Wayne Michael DeHart   (August, 2022)

(This was written in August of 2022  as an entry into the 2022 National Veterans Creative Arts writing competition for a category described as “Military Experience – Not Poetry” with an 850-word limit.  I have since made a few small edits that slightly increased that stringent number, and very recently added a series of significant Writer’s Notes, with photos. (The competition was text-only.) The Notes complete and complement the narrative. I tried to lighten the mood at the end of the notes, for both myself and the reader. But the top of the hourglass is running low, and this one time I’ll “go there.” This is not a war-story website; never was and never will be. They’re a dime a dozen and enough is enough. An upcoming post, “Adorin’ Van Doren,” is also Vietnam-based, but it is light-hearted and hopefully witty and that’s the direction I’d rather go on this topic. The only thing they have in common is that both are first-person and fact-based.  This one touches the fringes of events which led to my poem, “Incoming” –  https://wordsyoucantouch.com/2022/02/22/incoming/. It describes in just 174 words the fear, the “crap,” that permeates my mind in the darkness and the depth of most of my nights and which has ruled my life for so many years. And will to the end. I recognize that the relentless river of severe panic that consumes and threatens to drown me can be disconcerting and misunderstood, and thus I generally live in self-isolation to avoid creating uneasiness for myself and others. “Incoming” was written in an attempt to convey the callous, controlling complexity of the poem’s Beast as succinctly as I could. The success or failure of that endeavor can only be determined by you, the reader.  WMD 12/27/22)

In the early evening of December 26th, 1970, at a small Army camp across the road from the Marine helicopter facility at Marble Mountain, just south of DaNang, five of us were kicking back with Cokes and beers and stale cookies someone had received from home. The conversation was rambling and the topics random, with multiple voices speaking at once. It was like we were all talking aloud to ourselves, unable to focus on the messages or the messengers in the plywood-partitioned, double-racked quarters.

An intermittent, light rain pattered across the Quonset hut’s tin roof, calling to mind the Lovin’ Spoonful’s “Rain on the Roof” and The Cascades’ “Rhythm of the Rain” – two well-worn 45’s of mine left behind in a New Hampshire closet, boxed into silence – amid fleeting flashes of familiar faces back in “the world.” 

“Dee, whatcha smiling about over there?”, came the thundering voice of “Baby-San,” still just 19 almost a year into his tour – a brawny, fearless Texan with boyish (hence the good-natured nickname) features and a confident swagger. He was physically intimidating and sometimes volatile, but was generally an affable and likable kid. “Sure ain’t that burnt beak of his,” jabbed Steve from Wisconsin. I had been one of two guys from our advance platoon whose names were drawn to catch the Bob Hope Show at Freedom Hill on Christmas Eve. I lingered so long under a scorching sun that it sautéed two layers off the ridge of my schnoz. I countered with, “Hey, no skin off YOUR nose, Sailor.” Pretty decent comeback, I thought, knowing Steve was still irked about being rejected by the Navy in the summer of ’69. He swigged some Pabst and tipped his boonie toward me in a touche’-like acknowledgment of shared, requisite rapport.

After a prolonged pause, Baby-San and I (the Coke guys) remained in the makeshift room as our beer-drinking compatriots adjourned to a sandbag bunker with the rest of the cookies. He and I exchanged thoughts on who we were and where we might be in ten years. He wanted to be a forest ranger somewhere in the Pacific Northwest. “Exchange this uniform for that one. Exchange this reality for that dream.” “Sounds good, man.” “Yeah, you got that right.” But he looked somber while adding that it was just as likely he’d be hauling trash for a living. “Ain’t no lie, there’s always bugs in the butter.” His tour was almost over and this outwardly-confident short-timer had revealed an unexpected uncertainty about following the path back home, and once there, finding himself. I could only nod and say the obligatory, “Don’t mean nothin’, man.” It was the go-to generic response when one didn’t know what to say, at that time, in that place.

“How about you, Dee. You’re always writin’ letters and stuff. Must have a pack of girls back home, you dog.” I tempted fate, feigning umbrage and giving him a poor man’s stink eye before good-naturedly shaking my head. “I wish.” I joked that this mutt had been kicked to the curb long before being sworn in, then described that “stuff” as what we called “prose and poetry” back in high school. “Would kinda like to be a writer sometime down the road, have lots of thoughts and ideas running through my head. But the truth is I’ll probably be working that garbage truck alongside you, clanging can covers to a Creedence Clearwater song.” He wasn’t buying it. “Seriously, you should write a book about THIS crap. Give ’em the dirty details – the reckless, anything-goes, no-holds-barred shit. Keep it real. No John Wayne jive.” I told him I was thinking more along the line of conventional “word fare,” as opposed to unconventional warfare. “Not looking to make waves, just rhetorically ride them.” He stood and flexed, striking an exaggerated bodybuilder pose. He grunted, “Mention the strong and righteous ‘BS’, as in Baby-San, and we’re good.” (Rest in peace, Al, and I just did.)

“Gotta come up with a good title, title’s everything, Dee.” I pulled out my wallet and handed him a folded index card with a proposed book title from two years earlier  – “Three Times Sadness.” “Jeez, man, sounds depressing. Ain’t gonna sell no books that way. What’s it about? What’s your sadness?” I shrugged, telling him I didn’t know yet, that I always write titles before I write stories or poems, then write the latter to fit the former. (His expression read, “Say again?”) I told him I might have a shipload of sadness to write about by then, but he seemed to have checked out.  “Dee?” “Yeah?” “Sometimes I wonder: do the guys treat me good because they like me, or are they just afraid I’ll beat their ass?” For a few brief moments, he appeared weary, fatigued, vulnerable – and old beyond his years. “Both, I think.” He let the words sink in for a minute, then his eyes came alive and he nodded approvingly. “Hey, nuthin wrong with that, works for me, brother man.” It was his turn to smile. “Twelve and a wakeup, GI. See ya on the other side.” And then he was gone.

Hours passed and then came the sirens. Showtime. The skies lit up. The images blurred. The night roared.

Christmas was over; the crap was not.

Today, more than five decades and seven seas of sadness later, the book remains an elusive pipe dream.

But I think I know where I can use that title.

#

WRITER’S NOTES:

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RIP “Baby-San” – Alfred “Al” John Kappus, 1951-2014

Thanks, “brother man,” for the ever-present banter and repartee, and specifically for that oft-remembered conversation. Yours was the classic “larger than life” presence, energy in overdrive. Though our paths crossed for only a brief period of time, your encouragement and your inspiration left its mark in a way that you would have wanted, and that I welcomed and understood. And, yes, I will “see ya on the other side”  –  and it will be my honor.

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(Artwork: Charlie Thibodeau / 2022 / painting in his own vivid colors, back here “in the world”)

Charlie is a Marine who came of age just down the road from me in a nearby NH town. We never met in our youth, despite the proximity of our age and location. Soon after first meeting at the VA about six years ago, we stumbled into an awareness that we had dated the same shy, brown-eyed girl way back when Hector was a pup. 
Bonnie’s smile made you instinctively smile right back, whatever your mood. And when he and I talked about her, of course we smiled too, remembering her fondly, respectfully, as older gentlemen remember a young lady from days gone by. She very recently left this world behind, but had she known that an unlikely pair of long-ago beaux still reminisced about her warmly, half a century later, I suspect she would have flashed that contagious smile one last time before departing, expressing  the sentiment and substance of Baby-San’s words: “Hey . . . works for me.”

Turns out Charlie was serving just up the road a bit from me there in I Corps on that December night described above. Now, despite 3,000 miles of America stretching out between us, we stay in touch, share some late-night laughs and catch each other up on news both mundane and meaningful, while mutually keeping “the crap” out of the chatter, though we both know it lurks like a cancer just below the surface – and always will.

Darkness be damned as we two remain thankful to be among the fortunate ones still blessed to breathe the air, catch the wind, hear the rain on the roof, and behold a sea of stars in the clear night sky. We fight against, and survive, the dangers of the night. Then we embrace the sweet, saving grace of  daybreak’s first light. And in those inevitable, recurring moments when the world is too heavy and our resilience is too light, he eats ice cream and turns to his canvas and I eat dark chocolate and turn to this keyboard – both of us coping and fighting the good fight, a day at a time, as best we can, each in our own way.
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These first four photos were taken by me, using a Kodak Instamatic camera, from a Camp Baxter guard tower fronting the Marble Mountain Air Facility (then home to Marines MAG-16, supplemented by an Army helicopter company & 5th Special Forces), with the South China Sea in the background. There are actually five fabled Marble Mountains, the northernmost of them standing strong in the distance in the first pic, which was taken facing south along the coastal road. (Seventeen Green Berets were killed at Marble Mountain on August 23rd, 1968 – the largest loss of life in a single attack in Special Forces history.) Several choppers can be seen “forming up” above the facility in the second photo. The two bottom pics show fortified, armor-plated, 10-wheel “deuce-and-a-half” gun trucks traveling north toward DaNang.  These trucks were rigged out  –  uniquely modified and equipped, each with a catchy name emblazoned boldly on the side. They primarily protected transportation units, serving as escorts for convoys, and were not to be messed with due to the trucks’ maneuverability and formidable weaponry, matched by the aggressive, “bring it on” mentality of its crew.

The last photo was taken by me from one of two towers that faced northwest into a tiny civilian/drug sales area next to a seemingly out-of-place and unattended temple. The camp’s “cursed tower,” visible just to the right in the pic and further away than it appears at that angle, was the site of several personnel losses during my time there, one of them highly personal and particularly distressing to me. Roger arrived in-country just days before his 19th birthday and took his last breath in that tower just two months later – on my own birthday, nine days before my tour ended. Though Baxter served as my “home base” for most of my 365 days in-country, my classified courier designation had me in unrestricted movement status, traveling alone around RVN for 5-10 days each month, which proved to be both a blessing and a curse. The blessing was simply time spent away from the camp, which gained a lot of notoriety for a series of reprehensible events and situations that coincided with my time there. The curse was feeling disconnected and isolated out on the road by myself, engaging in fleeting interactions with nameless faces in  unfamiliar places, with too much time to think but not enough time to understand. The saving grace was that I did my job and I did it well. Then I came home.

Thirteen years later, the Beast burst into my life, and I realized I had never left, and now I know I never will.
So be it.
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The  eight heroic women who gave their lives in Vietnam. Each of their names appear on “The Wall” in Washington. Some 11,000 women served voluntarily in RVN during the war, and needless to say, none of them were drafted. They saved lives and provided support beyond their job descriptions.

**********************************************************************
Hitting some lighter notes . . .

That night it was Coke, but sometimes it was Pepsi, Tab, or a Fanta flavor. Depended on  A-V-A-I-L-A-B-I-L-I-T-Y !
( I have no clue what was going on with that center-forehead clump of hair. Looks like a burnt chicken leg.)

The occasional silver linings about being in RVN: avoiding haircuts, wearing weathered and worn boots, saluting maybe two times per month, with half of those being of the one-finger variety. Nobody cared, except on those one or two days a month when I was in Saigon. Some of those junior officers down there just couldn’t resist enforcing the saluting part of being a soldier. I humored them to avoid barriers because the warm, welcoming ladies of Tu Do Street were waiting and offered a far better evening ambience than the usually-empty transient barracks.
Silver linings, indeed.

“These Boots Were Made for Walkin'”
(Here I am pondering my existence while in a horizontal position. I got no answers.)

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Taken right after I got back from R&R in Taipei. Reality check. Hard eyes. Cold stare.
Go ahead, make my day. “Frick this crap” mood. (I didn’t like this guy. Routinely cursed him out, to no avail.)

*****************************************************

Some recognition, some kind words, and a firm handshake from the Colonel.

(Top and below) Having said my goodbyes, sittin’ on my butt, waiting for a ride to DaNang Air Base from Massachusetts Phil, and smiling big with just a few days left in-country. Even cleaned up my weathered boots for the flight down to Long Binh for out-processing and was hoping to get back to the world with that hair, which no one had cared about up-country. My year was up and so was my hitch. I would become a civilian 24 hours after my arrival at Oakland Army Base, there to jump through the final administrative hoops. After several dirty looks from the lifers at Long Binh, a snarky Captain pulled me aside and told me they could “accidentally misplace” all my records, leaving me sitting there in limbo for a week or two, if I didn’t stop losing my way to the haircut line. If I left RVN as scheduled, I’d be home just in time  for Thanksgiving.  I “found” the line and gave the clippers guy $5 American to leave at least half of the hair. He did, but added, “it’s your ass, man.” I slicked the rest back, and made it onto that Freedom Bird, and then home, with no further hair hassles. It smelled like  . . . victory.

Harry Chapin in 1972 (must have read my mind a couple of years earlier):
“Cause ya know I’m goin’ nowhere, and anywhere’s a better place to be.”

And of course I still have those original, referenced “two well-worn 45’s of mine” – only now in a different NH closet. Bought both new from Greenlaw’s Music Store in Laconia, NH. “Rain on the Roof” in 1966 and “Rhythm of the Rain” in 1963. 

Even better with sound . . .

 

 

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“And Here’s to the Dawn of their Days” … Sweet Sir Galahad, joan baez, 1969

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– Wayne Michael DeHart

With me, every step, every day, every night  . . .

rsz_daybreak-baez-nam

 

You did not dedicate this book to the likes of me.

Nevertheless, it guided my path, made me strong, brought me home.

Already familiar with its contents from the hardcover copy I had at home, I picked up an abused paperback copy from  a “freebie bin” at  Oakland Army Base while being processed for my assignment to what I would soon know as just, “The Nam.” I read it on the plane ride over, and I read it again on the plane ride back. The former with apprehension, the latter with gratitude. Sometimes in our journey, we bless the unintended. As you did for me. I do believe Mimi ¹ would have smiled at that, all these years later. The law of unintended consequences is a coin toss. I called “heads”, and you flipped the coin. Neither of us saw how it landed, nor did we want to.

On page 148, in a two-sentence chapter entitled, “Fourteen Old Bums”: you wrote “In the balcony of Madison Square Garden in New York City fourteen old bums filled up a row at the circus. In the middle of the Hungarian balancing act, someone treated them all to ice creams.”

On page 191, the closing page, you offered, “Only you and I can help the sun rise each coming morning. If we don’t, it may drench itself out in sorrow . . . It’s up to you.”

Ice cream and sunrise. Daybreak and heartache. Faith and fear. 365 days.

A tip of that weathered hat and profound thanks to you, Ms. Baez – then, now and ’til the sunset of my days.

¹ Mimi Farina, sister of Joan Baez. Joan wrote “Sweet Sir Galahad” in 1969, the first song she ever authored without a co-writer, as a tribute to Mimi ‘s spirited activism, and as an observation of a progression from lost love to newfound love. She performed the song later that same year at Max Yasgur’s dairy farm in Bethel, NY – a/k/a “Woodstock.”

/|\

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Joan singing “Sweet Sir Galahad” in 1969:
https://www.youtube.com/watch?v=IDHgJVJ0cZA

And again in 1969, at Woodstock:
https://www.youtube.com/watch?v=MoAMJf26ACM

-Judy Collins (L) Joan Baez, Joan’s sister  Mimi Farina (R)

 

Maybe Just One Thing

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Wayne Michael DeHart   (February, 1996)

I have had few good days of late.

At age 47, I have discovered that my dreams will not be realized.

Such discovery was not sudden. I have known for some time that I have been losing control of my life. Those around me define it as simply a mid-life crisis, an awakening of sorts, to the debilitating effects of time and spent emotion. This categorization of my condition is not accurate. I wish it were that simple, but it is not. Nothing is simple when you’re tired and alone at age 47. Tired and alone and beaten down by too many bad days.

So often I’ve heard people say they would decline an opportunity for a “do over,” an opportunity to go back in time and live their life over again.

To accept that opportunity would be to reject one’s past and present. Such rejection would be an admission of dissatisfaction, of poor choices, of failure. It would be a sign of weakness of mind and spirit. It would betray family and friends, It would be indefensible and unacceptable. It would strain the soul and hurt the heart.

I, however, would indeed go back. Without hesitation or trepidation. And I would do a thousand things differently.

Or maybe just one thing.

I would have seeded and nurtured friendships. My privacy and independence are false treasures I have guarded too closely through the years. To a fault, and to an obsession. Consequently, as I grew older (though upon reflection not wiser), I spent more and more time speculating, imagining, daydreaming, fantasizing  – always sure that there would eventually be time for fulfillment of every wish, every goal, every aspiration.

Time moves slowly for the young – a blessing unrecognized by those who count the days until they reached milestones of age 12, then 16, then 18, and finally 21. Milestones of a driver’s license, graduation, marriage, parenthood and the meaning of life.

I counted those days. Such a fool. I want them back. Each of them. All of them.

I would stop dreaming, and start living.

But now it’s too late for me, so I’ll settle for a  wish fulfilled. For a friend – one that will help make tomorrow a good day.

A friend that will care for me and about me. One that will be glad that I’m here, and will notice when I’m not. One that will leave Wordsworth’s beloved daffodils at my marker.

One that is real – in a world where nothing else is.

Words you can touch – can touch you Back

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Wayne Michael DeHart

Rescued from the furthest corner of the very top shelf, the nondescript brown book revealed itself to be dusty and dated, seemingly dispensable now after a long-ago demotion from displayed to displaced on the still-sturdy steel shelves of the library’s basement. I sat down in the nearest chair and chose to allow the dust to see another day, gently opening it mid-binding, to a random yellowed page of crowded text and curious font.

I started reading from the top of the left side of page 46, mid-sentence, absentmindedly turning page after page, digesting every word, absorbing each paragraph. Wasn’t sure what I had missed and didn’t care. It was not unlike walking into a roomful of strangers and discreetly deciphering the multi-toned, ongoing chatter flowing from the small groupings surrounding me. The players are out of focus – fleetingly faceless, neighborly but nameless –  enabling me to discreetly follow along, filling in the blanks with my own spontaneous words and thoughts, my own  images and interpretations. 

I began to read at a faster pace, forming opinions of the characters and the events unfolding before me, oblivious to the time ticking by as I made assumptions, while continuing  to fill in the blanks on the fly. I had rolled into the realm of the rabid reading zone, where time stands still and instincts are cast aside like empty Coke cans. 

That is, until a desk phone trumpeted loudly nearby, and my divergence into discovery ended abruptly. My eyes shifted to the bottom of the page – 97 ! Had I really journeyed through 51 pages in a mere few minutes?  A quick glance at the clock on the wall behind me jolted me back in to the reality of a Tuesday morning in November of my junior year of college.  Minutes? Yes, about 75 too many,  and I was due in a classroom across campus at noon.

I gently closed the book, determined to preserve its cloak of noble dust, and stretched to return it to its rightful place on the sleepy top shelf in the musty corner of the basement, there to rest in peace and gather more dust till the next  curious  explorer stumbled along in search of a neglected  literary treasure.

In the years and decades to come, I sought out dusty volumes on the highest  and lowest shelves in libraries and used bookstores from here to there and places in between. The more dust, the more yellow the pages, the greater the anticipation and excitement. And for those volumes, the game plan was always the same – open it up to a random page, start reading, and keep going until a phone rings, my Coke can is empty, or my bladder is full.  And then stop right there, on the proverbial dime.  Put it back in its rightful place, its dust undisturbed, its beginning and its ending left to exploration by another reader, on another day.

All these years later, I can’t tell you the title of that first rescued book. I didn’t forget. I simply never looked. I didn’t want to know because I didn’t want to feel compelled to find a copy of it and just maybe read it from front to back. The experience  was perfect just the way it was – 51 pages of faceless and nameless characters letting me listen in to their story, mid-stream,  thus affording me the gift of completing  the story, fore and aft,  in my words, filling in the blanks from the pages that came before I started reading, and the pages that followed where I left off. In any given instance, I could serve as both author and reader, creator and consumer, maker and user. Always and ever changing. A mystery to be solved.

You know, much like that first old, dust-covered book, waiting patiently to be rescued, its words to touch, and  be touched.

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